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What it argues
Fear and Trembling was published in 1843 under the pseudonym Johannes de Silentio, and it is Kierkegaard's most sustained meditation on the nature of faith through the lens of the story of Abraham and Isaac. God commands Abraham to sacrifice his only son — the son who was himself the fulfillment of God's promise of progeny as numerous as the stars. How can Abraham act on this command? What kind of consciousness makes it possible to obey? These are the questions the book relentlessly examines.
Kierkegaard identifies three stages of existence: the aesthetic (living for pleasure and immediate gratification), the ethical (living according to universal moral principles), and the religious (a relationship to God that can supersede the ethical). The knight of infinite resignation — who makes the sacrifice, surrenders the finite, and receives nothing back — is admirable but remains on the far side of faith. The knight of faith — like Abraham — makes the same sacrifice and then, against all reason and ethical justification, expects by virtue of the absurd to receive the finite back. This is not the consolation of guaranteed reward but the completely inexplicable confidence that the impossible is possible.
What it gets right
- 1.
Faith is not a preliminary stage to genuine knowledge or ethics but a higher stage that can supersede the ethical through direct relationship to God.
- 2.
The teleological suspension of the ethical: Abraham's act cannot be justified by any universal moral principle — its only ground is his absolute relationship to the absolute.
- 3.
The knight of infinite resignation gives up the finite and achieves peace through renunciation; the knight of faith gives up the finite and expects by virtue of the absurd to receive it back.
What it covers
Who wrote it
Søren Kierkegaard (1813–1855) was a Danish philosopher and theologian who is widely considered the first existentialist thinker. Writing in Copenhagen under various pseudonyms, he produced an extraordinary body of work — Either/Or, Repetition, Fear and Trembling, The Sickness Unto Death, Concluding Unscientific Postscript — attacking Hegelian rationalism, institutionalized Christianity, and the complacency of bourgeois Denmark. His insistence on the primacy of the individual, the importance of subjectivity, and the irreducible nature of genuine choice directly influenced Heidegger, Sartre, Camus, and 20th-century existentialism. He died at 42.
