Me Before You, in detail
Louisa Clark is twenty-six, cheerfully aimless, and loses her job at the local café on the same day. Desperate for work, she takes a position as companion and caregiver to Will Traynor, a thirty-five-year-old former high-powered banker who was injured in a motorcycle accident two years earlier and is now quadriplegic. Will is brilliant, sarcastic, and comprehensively uninterested in being cheered up. Louisa is persistent, awkward, and genuinely good. The collision of these two people in a converted coach house in rural England is the engine of the novel.
What follows is a love story with a moral argument built into its ending that the novel refuses to soften. Will has told his parents he will agree to a six-month waiting period before proceeding with an assisted death in Switzerland. The six months is the novel's timeframe. Moyes uses it to explore what autonomous personhood means when a body no longer does what a person needs it to do — and to refuse the easy answer that love makes such questions irrelevant. Louisa comes to love Will; Will clearly loves Louisa; the book ends the way it ends, and the response to that ending is the book's real test.
Me Before You works because Moyes writes both characters with enough specificity that their relationship earns its emotional weight. Lou's family is vivid — her parents, her sister Treena, her damp and decent boyfriend Patrick — and the contrast between Lou's working-class Stortford life and Will's wealthy, formerly expansive existence is handled with tact rather than caricature. The prose is efficient, warm, and occasionally very funny.
The novel became a massive bestseller and sparked genuine debate about disability representation and the message it sends about life with quadriplegia. The disability rights community had serious objections; those objections are worth knowing about before reading. The book is not a polemic — it is a love story told from Lou's perspective, not Will's — but its emotional logic does arrive at a position. Readers who found that position devastating rather than dishonest will get something real from this book. Those who found it dishonest will find that the skill of the writing makes it more troubling, not less.
The big ideas
- 1.
The novel's most controversial choice — letting Will proceed with his decision — is also its most defensible one. Moyes refuses to let love override autonomy, which is unusual in popular romance fiction.
- 2.
Lou Clark is one of popular fiction's better heroines: genuinely funny, specifically working-class, perceptive without being implausibly wise. Her voice carries the novel.
- 3.
Will's sarcasm is the book's other great pleasure — he is genuinely witty in a way that earns the reader's respect before he earns sympathy.